![]() ![]() But like it or not, the digital cinema camera business has turned into a sensor- and raster-size arms race. For at least the past year or so, the digital cinema camera market has become obsessed with full-frame sensors and using them to record a full-frame image using a 6K or 8K raster, which raises the question: Does anyone really need 6K or 8K acquisition? In my view, no, or at least, very few do. ![]() It’s why Sony has become a powerhouse in the market segment of event, corporate and reality shooting with two models-Sony’s PXW-FS7 and FS7 MKII.īut just as times change, so does the technology. I know because I’ve owned several Sony cinema cameras over the years and watched how the company has reacted to new technologies and format changes. ![]() One thing Sony tends to do better than many of its competitors in the pro cinema camera market is to read and respond to market segment demand. ![]()
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